These paintings draw profound inspiration from historical narratives, identity, and history. Through a meticulous process of reassembly and stitching, a wide array of visual elements is harmoniously combined, resulting in a visually rich and intricate landscape that reflects both collective and personal memories and perspectives. These fragments are sourced from archival photos, texts, stories, textiles, and my own visual documentation.
One concept that profoundly fascinates me is the notion of epigenetic inheritance, the idea that memories can be transferred across generations. I often perceive my artistic practice as a map that explores this concept. I believe that I am connected to the memories of my ancestors, and these ancestral echoes become evident to me during the creative process
Rather than focusing on creating series, my approach centers on forming a visual "memory map" that transcends the boundaries of individual canvases. I actively work on multiple paintings simultaneously, occasionally incorporating sections from one artwork into another through cutting and stitching techniques. By doing so, I aim to create a cohesive body of work that invites viewers to immerse themselves in an encompassing experience.
To fully appreciate the depth and interconnectedness of these artworks, it is best to view them together. This collective viewing allows for a more immersive encounter, unveiling the intricate narrative threads and the richness of the visual landscape I have crafted.
One concept that profoundly fascinates me is the notion of epigenetic inheritance, the idea that memories can be transferred across generations. I often perceive my artistic practice as a map that explores this concept. I believe that I am connected to the memories of my ancestors, and these ancestral echoes become evident to me during the creative process
Rather than focusing on creating series, my approach centers on forming a visual "memory map" that transcends the boundaries of individual canvases. I actively work on multiple paintings simultaneously, occasionally incorporating sections from one artwork into another through cutting and stitching techniques. By doing so, I aim to create a cohesive body of work that invites viewers to immerse themselves in an encompassing experience.
To fully appreciate the depth and interconnectedness of these artworks, it is best to view them together. This collective viewing allows for a more immersive encounter, unveiling the intricate narrative threads and the richness of the visual landscape I have crafted.
Wendimagegn Belete, ስንክሳር SInksar, installation view , gallery LNM
“አንዳፍታ” MOMENT "ANDAFTA" khgallery , 22 LONDON
“አንዳፍታ” MOMENT "ANDAFTA" khgallery , 22 LONDON
This Man Is Your Friend – Wendimagegn Belete, Sofia Karyofilis – Etter tørke RAM galleri
Wendimagegn Belete Untitled, and Roloff, Hanna Josefine, Photo credit , Gallery LNM
“አንዳፍታ” MOMENT "ANDAFTA" khgallery , 22 LONDON
Installation view
Hennie Ann Isdahl (floor, left wall), Wendimagegn Belete, Esther Maria Bjørneboe, Kiyoshi Yamamoto 2019, Akershus Kunstsenter, Lillestrøm, Norway
